Looming at 21 feet tall, Chris Carnabuci’s new sculpture Mariposita (2019) portrays an alluring woman emerging from an eggshell. The piece is far from your average artwork, comprised of thousands of pieces of plywood, each designed and cut with 3D-modeling software and a CNC machine, then assembled by hand. The idea for Mariposita came from a much smaller piece Carnabuci made in 2014, titled Fertility. That sculpture—a bust of a woman emerging from an egg—was part of The Big Egg Hunt, a New York City–wide exhibition of artist-designed eggs in spring 2014. Afterwards, Carnabuci dreamt of making a piece in a similar vein—on a much larger scale—for Burning Man.
The Temple is one of the most important places on the playa at Burning Man, and many find catharsis there. There is only one official ritual in the Temple, and that is to burn it. On Sunday night of the event, with thousands of participants as witnesses, the Temple is burned in silence. “The Temple of Direction” by Geordie Van Der Bosch is a linear space, capturing the elegance and austerity of the torii gates at Fushimi Inari Shrine in Japan, where the artist has previously lived. The linear lines form a passage that expands into a large hall, eliciting both a physical experience and a metaphorical journey. It’s a space that responds to the openness of the playa by creating a framework that encourages you to travel from end to end. This linear form reflects the passage of life with its beginning, middle, and end. Throughout the structure there are areas that reflect this journey: narrow & wide spaces, bright & dark spaces, and tunnels that create intimate physical settings. Meanwhile, a large central hall, an altar, and many shelves for offerings create the setting for a collective experience.
Hookahdome is a Burning Man camp and event bringing global music, electronic and live to the playa.
